At times, in periods of intense contemplation and longing for the past, I am deeply touched by the impact that the ābanjoā has made on my existence. Who could have imagined that embarking on my initial banjo tutorial at the age of 16 would foster such a profound connection and common identity between me and the banjo?
The banjo is a true gift, to me and to you
As I write this Iām at the ripe old age of 45. In the grand scheme of an entire lifetime, Iām maybe just a little less than halfway through, if Iām lucky. Iāve got the same amount of time leftā¦or hopefully a little moreā¦as has already passed, depending on Godās plan for me of course. And, in this current day & age, 45 is still young. For me to speak as a wise old veteran may seem a little over the top, but thereās no denying Iām getting long in the tooth and that there are a couple generations under me now! 45 years went quickly, but at the same time itās not exactly just a drop in the bucket. Iāve experienced an awful lot in this life, and Iāve gone down the road a few miles if you know what I mean.
As I said, the banjo and I are one and the same, and what a powerful gift that is. The vast majority of people in my life have never known me without a banjo in my hand. I canāt remember not having a banjo in my hand. When you think of Paul, you think of banjo. The banjo very much feels like another appendage on my body; like a useful extension of myself and my personality. Iām not the best in the world, not the best in this country, not the best in my state, not even the best in my city. But I am knowledgeable and competent on the banjo, and that is worth more than gold to me.
Do you ever groan when asked to play your banjo?
So now that youāve read my deep and poetic musings on what itās meant to be involved with the banjo, let me get to the main thoughts of this blog post.
When I play banjo, it often makes people very happy. Thereās nothing like an appreciative bluegrass crowd at my stage shows, hooting and hollering. And to have a crowd gather around a jam session that I am in and be so into whatās being played that they just stay right there for several songs or more is a really cool feeling. Butā¦itās not always thrilling to get asked to play the banjo.
There have been so many times when someone has encountered me and my banjo outside of a musical situation and have asked me to play. Perhaps Iām heading to or coming from a gig; maybe Iām putting it in the car or taking it out; maybe the banjo is just in the building where Iām at for a non-musical reason. Maybe theyāve come to my house for a visit. No matter the scenario, I can think of lots of times when Iāve been āfound outā, or when the cat has been let out of the bag. āYOU PLAY BANJO?! REALLY?! THATāS SO COOL! CAN YAā PLAY SOMETHING FOR ME?!ā
Too many times my immediate internal reaction is oh, please no. Because I know this person has no knowledge of bluegrass or banjo. Most likely, they arenāt a fan and wonāt ever become one. For about half a song, itās āyuk yukā cool, before they start losing interest. They invariably will slap their knee, dance around wildly, laugh. And then comes the request to play oneā¦or bothā¦of the two most requested songs that people who arenāt educated to banjo or bluegrass ask for when they find out I play: The Ballad of Jed Clampett, and Dueling Banjos. All in all, revealing my banjo playing tendencies in the wrong setting leads to much mockery or poking fun at the genre and instrument.
What I just described is a very common scenario, but something else that used to happen to me and might be happening to you right now is that when I was a beginner who was actively learning and didnāt know a lot, I would get asked to play before I deserved to be playing for anyone. I had the same oh please no reaction then too because I didnāt know much and wasnāt confident.
Never miss a chance to play your banjo for others
Iāve learned over the years to take a different attitude when it comes to everything I just described. Iāve learned to take the title of this blog post to heart, and to adopt my role as the Banjo Ambassador. I get it out now and pick. Maybe all it takes is half a song and then I can put it away. Or maybe I keep the listener engaged for 2 or 3 songs. No matter. For that brief half a song moment, Iāve made that person smile. Iā¦and you too if itās you pickingā¦make a deep, deep impact on that person.Ā They now know a banjo player, and thatās a pretty neat thing. So what if they āyuk yukā it up and dance in a silly way? So what if they slap their knee and bring out all the stereotypes? Youāve brought a moment of lightness and joy into their lives. Whether or not you realize it, youāve made a lasting impression on that person. 10 years later, when the person you played for happens to get in a discussion about banjos or banjo music, they will say āI knew a banjo player onceā¦ā For non-pickers and non-fans, itās a unique and really cool thing. And who knows how many people youāve turned into bluegrass fans over the years thanks to your willingness to be a banjo ambassador?
It doesnāt matter if you arenāt a touring professional. Even a rank amateur rolling off a few measures of Cripple Creek in a sloppy way will do so much more than you can imagine for our ācauseā. Did you get an invite to bring your banjo to a social gathering? Afraid to because you only know two songs? Donāt be! You get it out, you play those two songs. When youāve played both songs 4 times each, you noodle around and make some ābanjo-eyā noise, and you just see how happy you make those people. Theyāll move on to other conversations and other music and other topics and wonāt appear as if theyāve been moved, but you can rest assured you moved them. Can you think back to the days before you picked up a banjo? Remember how unique and mysterious and wonderful it seemed? Can you remember the first time you were in the same room with a banjo player? Well, the people you play for now know a banjo player, and thatās a really great thing you Banjo Ambassador you!